Justice
League
Justice
League #188
Two
tales for 15p! Wait! What the hell’s a “p”?
TWO
tales! Two different art teams. Count ‘em. The end of issue 187’s story and a
new short story. Be sure to check out Professor Alan's Darkness to Light podcast on this issue as well! But there is so much here we need to jump right into things:
Writers
– Gerry Conway
Penciller
– Don Heck
Inker
– Frank McLaughlin
Letters
– Ben Oda
Colorist
– Gene D’Angelo
Editor
– Len Wein
March
1981
You’ll root for the heroes to lose!
This book wandered across the pond
somehow, and boy am I glad it did. This was a neat issue, starting off with
this odd-ball tale of body snatching, part two of a two part adventure. I’m
going to let the narrator sum up:
So
everyone in the Justice League except the Flash is currently in new bodies,
replaced by doppelgangers under the command of Proteus, Man of a Thousand Faces.
Interesting
setup and it’s neat that the leaguers still have their powers, but are trapped
in other bodies and lives.
Flash
is the last guy on Proteus’ list, but he’s no slouch. Proteus goes to zap him
with his “Identi-Factor,” but something goes very wrong.
Of
course that isn’t what happened at all. Barry simply vibrated into the ground
when Proteus turns his back, Flash returns seeking vengeance.
And
lays Proteus out flat with one leap. Fighting his doppelganger may prove to be
a different subject though. He has Flash’s speed!
Caught
unaware, Flash gets knocked out by luck more than anything.
Meanwhile,
the other JLA doppelgangers use their powers to rob an upscale jewelry store.
Superman
yanks off the vault door even. The other collect the loot and deal with the
guards, but as soon as they start to skedaddle…
…They
are confronted by THE LEAGUE OF RANDOM CITIZENS! Er, I mean The Justice League…sort
of.
They
look like a tribute band for the Village People. Do “YMCA” guys!
Now
we get into silly fight scenes of Aquaman being a waitress and talking Superman’s
imposter, Wonder Woman as a guy out doing her imposter, and a baker and imposter
Elongated Man in a stretching contest.
It
isn’t long until Ralph uncovers the secret, these heroes are using technology
to mimic the JLA’s powers. From there it goes downhill for the villains.
Construction worker takes out phony Superman.
Fake
Aquaman and Zatanna try to sneak out, but the real Flash shows up dragging
Proteus along with him and quickly takes down the imitation good guys.
Sadly,
it appears that Proteus has some bad news for Flash. The Identi-Factor is
damaged beyond repair and that means he can’t change the Justice League back.
Flash realizes that the real Zatanna is the key to fixing this and rushes off
to find her. She is one of the few leaguers that didn’t realize who she was.
Meanwhile
the other leaguers round up the fake bad guys and take them to jail, including
the Flash-that-never-was.
While
the real Flash finds Zatanna in a subway tunnel. He uses information she’s
shared with him to jolt her back to her senses and she undoes the Identi-Factor’s
meddling. They leave on an almost romantic note to return their friends to
themselves as well.
That
was a bunch of fun for the first eleven pages. I enjoyed the puzzle of figuring
out how these other people had the Justice League’s powers and the final
reveal. It was neat to root for the heroes to lose, in a way and the ending of
the tale was very sweet. I never knew Barry and Zee had any kind of connection,
even if it was just for these two stories. Heck’s art looked good and the story
was enjoyable.
"The Miracle at
22,300 Miles!”
Writers – Gerry Conway
Penciller – Rich Buckler
Inker – Frank McLaughlin
Letters – Ben Oda
Colorist – Jerry Serpe
Editor – Len Wein
March 1981
…or
how Atom became Jewish
One
tale down and I’ve already got my enjoyment level satisfied. We turn to the
back story, a short tale with Rich Buckler pencils that starts off looking very
good. Love that Hawkman and Hawkwoman. Let’s see if he can maintain it.
In
fact it gets better. We have Shayera and Katar sharing an honest moment of
reflection, something humanizing and character building. This is one of the quieter
JLA tales with a little action sprinkled in, and I’m loving it too.
But
tales with NO action wouldn’t come along until Giffen’s JL book, so we have
this pink satellite inching closer to the JLA headquarters and it is just
bristling with weapons. Pink ones. Like some kind of “Barbie’s Death Star” or
something.
Anyway,
also we get Ray Palmer (Atom) dropping in on some Jewish friends with crazy old
Jean. Sure hope she doesn’t take a flame thrower to them later.
Ha-ha-ha!
That joke always kills me. And you know who also dies? Anyone she hits with a flame thrower.
Okay,
seriously now: the book wanders into the realm of religious education for a
bit.
By
the by, Hanukkah comes up December 12, 2017, in case you were wondering when to
wish your Jewish friends a happy Hanukkah this year.
While
the Atom is getting his dose of religious education, the thugs are making off
with some stolen loot…
..or
so they think.
Buckler
really shows some chops here. And some kicks. His stuff feels like a blend
between Aparo and Adams, which isn’t a bad place to be.
Batman
and Canary finish off the bad guys…
…at
the same moment the JLA’s floating headquarters it attacked by the
pretty-pretty death rays of the unmanned floating pink death station. It
automatically triggers their communicator’s emergency alarm, as in space
Hawkman rushes out to take on the floating enemy “dream house” of death.
Katar
moves into position to disable the deadly version of Skylab, but he is injured
in the attempt. Buckler’s pencils make it impossible to cut any of these pages,
not just because of the panel shapes, but also because the inventive layouts
are a big part of what makes the art look so good. It is non-standard and
exciting.
Batman,
Canary, and Atom teleport up to the station just as everything blows to crap,
trapping everyone in an Apollo 13/Gravity with Superheroes-type story. Now they
are marooned in space.
Katar
takes out the satellite using his bare hands, but suffers a knockout blow in
the process. The rest of the team discovers they have no working life support
systems, meaning if they don’t work fast, they will suffer a slow suffocating death.
The hassles of putting your super-secret headquarters in space.
More
bad news as they find only one working spacesuit (Canary has dibs on it too)
and one E.V.A. Jet-Sled, but no working life boats. Seems the JLA satellite
designers bear a striking resemblance to the guy that made the Titanic.
Shayara
goes EVA to reach her spaceship on the other side of the PLANET and bring back
needed equipment, while Canary brings in Katar’s unmoving body. GREAT art in this.
The more I go back through it, the better I appreciate it.
At
the last moment, Atom fixes a circuit and then blacks out. The station limps
along a bit more…
…enough
for Hawkwoman to make it back… HOWEVER, Ray wakes up to explain he didn’t fix anything
at all and to mirror their miraculous survival to that of the Maccabees.
That’s
an odd ending, to bring a religious overtone to the story in DC universe. I
still love it for the Hawkman/Hawkwoman parts and the wonderful art. This one
is a keeper.
In
all a great issue. I have no idea why it is a British import or where it came
from. Nor do I know how that affects pricing as a comic. I’m just glad it was
in the Crapbox. Sort of like my own little “miracle” you might say.
"It's Batman and some blonde!" Best laugh I had all day. Thanks for another great review!
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