A
scattershot history of Guardians of the Galaxy, Part 3
Star
Lord #1
Not
your Father's Star Lord
"Year One, Chapter
One: Free Falling"
Writer – Sam Humphries
Pencils/Inks – Javier
Garron
Letters – VC's Joe
Caramagna
Colors – Antonio Fabela
w/ Frank D'Armata
Assistant Editor –
Kathleen Wisneski
Editor – Jake Thomas
Editor-in-Chief – Axel
Alonso
January 2016
There
exists a subtle difference between your Peter Quill and mine.
My
Peter Quill began with Steve Englehart back in 1976. Star Lord was a dashing
blonde-haired Adonis in a blue jumper who swooped in like an extra from a Flash
Gordon comic. I watched him on the cover of Marvel Preview, the black and white
Marvel mag that was too expensive and too adult themed for me to coax
money/permission to buy.
When
he reached reprint state, I had moved on to less space oriented stories and my
growing obsession with Iron Man. Too bad. I bet I missed some good stuff.
Still,
this is who Star Lord is to me and he is a bit less of a rogue and a bit more
of a hero archetype than the Peter Quill of today. I'm just lucky I get to keep
both. Today's Star Lord is built up in the Han Solo mode, and not in the wimpy
"special edition" version. No, this Star Lord definitely shoots first
and questions Greedo later.
And
I can dig him too.
Marvel,
of course, has merch to think about, though. Merch and what a recent article in The Beat pointed out as a corporate strategy of creating depth out of every popular
character. In my college Marketing major days we would have called it
"brand cannibalization." What it means in layman's terms is that
Marvel will make as many books out of a popular fad or character as possible, all the way to
and beyond the point of burning an audience out on said property.
Thus
when the Guardians of the Galaxy movie got so big, so fast, Marvel's marketing
arm came out with Rocket Racoon and Legendary Star Lord books to go along with
the ongoing Guardians main title. Not sure how any of those sold, but they didn't have a problem with cancelling them later. After Secret Wars reset Marvel's universe,
Peter Quill again received a new rebooted solo title, called simply "Star
Lord." This time the book went into detail about Peter's past, focusing on
his upgraded/changed origin that fit a bit more in line with the movie version
of his character.
One
thing both comics versions have in common is that Quill's Mom didn't die of
natural causes, but instead was ruthlessly gunned down by alien interlopers.
And
I don't mean the kind any boarder wall could keep out, neither.
So
we keep that part intact and move on to a much different childhood for Peter…
…a
childhood that has Peter in space at 18…sort of. You'll see. First he's
attacked.
Except
all this is just a simulation and "Petey" is really on Earth…
…and
he's stealing simulator time because his true job is more of a low-grade
mechanic/janitor. Neither of which Peter sees as a way out into space. He is
searching for a step toward finding the ones who killed his mother and left him
for dead. A step toward vengeance and freedom.
Sort of a Cinderella story, except his prince charming is a date with the universe.
Pete
sets all his hope on this giant ship, the Asterion One.
A massive multiperson
carrier, Asterion One was built to take us to the stars. Except there is one
little problem.
It
doesn't have a working light-speed drive.
But
all that could change IF the flyboys could figure on how to make this captured
Kree Warbird hit warp speed.
Unfortunately everyone has tried and failed. Looks
like the Asterion One and Peter are stuck on the ground.
Especially
if these are the guys who will be attempting to make the Warbird spread its
wings.
Peter
has other ideas, of course. Ideas no one seems interested in entertaining.
These
guys have never heard the Sherlock Holmes quote about "Once you eliminate
the impossible, whatever remains, no matter how improbable, must be the
truth."
Peter
will get a chance to test his theory a little later on, under less than ideal
circumstances. But first, a little meeting with the commander about a matter
that will end in disaster for Peter.
Peter
takes this exactly as expected.
Peter
mopes for exactly two seconds and then makes a fateful decision. He packs his
bag for a trip with no return ticket.
And
interestingly enough…across the vast reaches of space, it appears someone ELSE
is interested in that missing Kree Warbird. Someone who looks a bit like…hmm…
Not
sure what that wrench Peter lifted does…but the perhaps it's what he uses to gain
access to and steal this…
…right
out from under the commander's nose. This will not end well, I can tell.
Especially once the military gets involved with orders to take the warbird down
no matter what.
Even
the commander doesn't have enough pull to stop what's about to happen. Peter
looks to be headed for that big airstrip in the sky.
Of
course, the book can't let that happen. So it gives Peter his wish: a way out
and a way to find his mother's killers.
It
also gives Commander Chang the variables she needs to fix the Asterion One's
hyperdrive, so win-win all around.
But what it doesn't give is…
…a
way back to Earth at the moment. Peter has stranded himself in space on a ship
without power. And it is very cold. In space.
The
next issue blurb shows that to make sure we fit Peter into the movie continuity,
we've changed up Yondu to match Michael Rooker's character. It's all okay, I
suppose. No one will complain given that Marvel has a history of subtly making
the MU and the MCU come together. I'm shrugging my shoulders over it too.
How
was this for a first issue? Well, Peter is a seed in this issue, not quite his
dashing 70's Flash Gordon man-of-action self and certainly not as foolhardy or
brash as his Chris Pratt movie incarnation. What he grows into as the series
progressed is a mystery the Crapbox hasn't solved. No more clues have fallen in
the discount bin.
But
did I enjoy it? Yeah. I did. It has potential to go places. I will always have
my fond memories of what Star Lord WAS, but I have room in my heart for what
Star Lord will become.
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