It’s like an
Archie book, only with more terrorist bombings
Peter David
is one of my favorite writers. There, I said it. You can bash me for favoritism
all you want now.
I first
encountered David’s stuff back when he was doing The Incredible Hulk. I was a
big John Byrne fan and Peter came on board several issues after Byrne left the
book. His story coupled with Todd McFarland’s art were like sweet, sweet
ambrosia. I was hooked from the first issue I picked up and continued reading
Hulk even after McFarland’s departure.
Around the
same time, I became a fan of his Star Trek: The Next Generation books. I hadn’t
lasted long watching the first season of the actual TV show. By about the
fourth or fifth episode, I bailed on it. The cast hadn’t gelled and I wrongly
assumed it was headed to the dustbin of history. I couldn’t have been more
wrong. The second season took off and tie-ins for the series were everywhere. I
was recently married and out of college, working nights at a job that didn’t
require much more than for me to show up. I had tons of time to kill so I
started reading some of the ST:TNG novelizations. Biggest mistake I ever made
was to start with Book 1, Diane Carey’s horrendous Ghost Ship. The book was written around the same time as the first
season and none of the characters had very defined personalities. The book also
seemed to be padded with a bunch of filler action scenes instead of a real
story. I remember that it seemed to be a series of Troy having psychic fits and Riker rushing
her back to her cabin from the bridge every couple of pages. It was bad. Almost
bad enough to completely turn me off ST:TNG for a second time.
Then I found
Peter David’s A Rock and A Hard Place. I
remember thinking that I liked David’s comics, maybe I should give this one a
try. I am so glad I did. His Officer Stone is still one of my favorite
non-canonical characters. The book was a very enjoyable read which hooked me on
all things Star Trek made by David. His recent New Frontier series is the most
enjoyable popcorn fiction around. Its unique flavor would make a much better
starting place for movies or TV series rather than dwelling on the past of the
Star Trek universe.
After David
left the Hulk series, he dabbled around in quite a few endeavors. One of which
was an ongoing series for Dark Horse call Spy Boy. It proved popular enough to
garner a follow up mini, the four issue SpyBoy:
Final Exam. The series follows a teenage superspy and his pals as they
defeat evil and have romantic entanglements typical of teenage secret agents.
It’s also a
bunch of fun, even if it occasionally strays into areas that could be played
dark. Take the opening scene in this book. A terrorist is holding a sniper
rifle out a window overlooking the giant Times Square
ball. As the clock ticks down to midnight, the sniper takes three shots at an
unknown target.
Luckily, Spy
Boy is way ahead of this turkey and using some kind of “Q branch” high-tech
device, catches all three bullets. Then while standing on the side of the
building he trades quips with our mystery sniper.
So Spy Boy
just saved countless thousands of drunken New Yorkers from having a very bad
start to 2004. The villain trades a few punches with our Boy and then catches
him off-guard with some poison gas. While he’s still disoriented, the sharp
shooter twirls his mustache a bit and announces his handle then kicks Spy Boy
out the window.
Spy Guy, huh?
Did I mention there was a 17 issue series before this one? I don’t have any
inkling what it contained, but I’m imagining a whole rogues gallery of bad guys
with names like “Spy Man”, “Spy Dude”, “Spy Chap”, “Spy Fellow” and
“Spy Person”. Spy Boy is saved from plummeting to his death by the fortuitous
arrival of Spy Girl (okay, this is getting a bit out of hand now). He appears
none to happy about the save either.
Our bad guy
(heh, sorry) is making his escape about now, when he finds a model of the New
Year’s Eve ball hanging from a string outside his hotel room door. As he
touches it, it starts ticking and he realizes he’s made a mistake. The ball is
a bomb that blows up the entire floor, although our bad guy easily escapes. The
person who set this trap is on Spy Boy’s team, a young lady by the name of …
(wait for it.)
Bombshell.
Who uses bombs while also being a hot blonde chick. By now you are either in or
out with the book. Here we have whole buildings being razed to take out one
lone terrorist, plots to gas crowds of unsuspecting people, and everyone has a
cutesy handle. If you want post-9/11 seriousness, look elsewhere.
Also I have
to mention that Pop Mahu does some incredible things with the art in this book.
He’s clean like Mark Bright or Paul Ryan, with distinctive facial expressions
and body language. He even dips into manga style a couple of times, but they
are so well blended in with the regular art and the pacing of the panels fit so
well that I hardly noticed. That’s pretty high praise since manga
occurrences in many titles jar me right out of the story. Mark me down as
impressed.
Someone in
the story who’s not impressed is Spy Guy’s boss, Main Man. Seems Spy G’s
failure isn’t going to go over very well with The Echelon, the baddie behind
the Time’s Square bomb. Not to worry, Main Man has a backup assignment for SG.
And it involves going after Spy Boy while he’s in his civilian identity.
And just what
is Spy Boy’s secret identity like? Apparently he’s just like every other middle America high school student. Except they don’t
have to save the world while trying to maintain a social life. Let’s take a
peek in on Alex a/k/a Spy Boy.
This is
Alex’s crush. I’ll be completely honest here, I don’t have a clue as to her
name. She’s in and out within the span of two pages. Alex is heartbroken over
missing his chance to take her to the prom. And he can’t even explain his
double life to her. She even rubs that in his face (with a quip about him being
“Batman”) and tells him she waited for him to ask, but he took too long. Poor
Alex, he moves on to ask Spy Girl a/k/a Yukio to go with him. She
misunderstands, thinking it’s some kind of secret agent mission. So he lets her
know in no uncertain terms.
I had a lot
of problems with the hair color here. Spy Girl is a blonde in her secret
identity and a red (or pink) haired chick when out saving the world. When we
see Bombshell next, she’s a brunette where clearly she was a blonde in the
first adventure that started off the book. Bombshell a/k/a Marta is talking
with Butch on the baseball field about Yukio getting asked to the prom by Alex.
Marta is very matter of fact that she’s only there to protect Alex, but Butch
digs into about her obvious jealously. Notice how the book has totally shifted
into “Betty and Veronica” mode?
Butch is
comic relief and adds a human element to the stories. Think of him as Jughead.
And just for good measure, he gets clocked by a line drive here and is shown
bleeding profusely from a head wound. Never fear, Marta is here.
Nice upshirt
there. These are suppose to be teenagers, right? I feel dirty posting that.
Needless to say our four-way romance just picked up a fifth side here. The last
bit of the book has a new teacher coming in to sub in Alex’s class room. I
guess you could compare him to Miss Grundy.
That is, if
Miss Grundy was secretly a dangerous psychopathic killer and terrorist. Okay, so
maybe it’s not all that different from the Archie comics.
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