Another
thunderous God gets “Simonized”
This was what
drew me to those bundles of books in Half-Price that very first day. Walter
Simonson was responsible for a tremendously enjoyable run on Marvel’s
Thunder-god Thor in the middle 80’s. He took an approach with Thor that focused
on the entire cast of characters and created a storyline that emphasized the
Norse mythological grounding of the series. Simonson also drew the series in
his amazing art-deco style. Others have
called his run epic and operatic. It was all that and it was a blast to read.
As soon as I saw his name on the bundle with Orion, I knew that I had to pick
it up.
Boy was I
lucky! That pack had roughly 12 issues of Orion. For those of you who missed
this series, it has been traded, but even Simonson admits there were some
issues with how that came off. Worth the price to track them down, however
because the issues are pure dynamite. Plus there are even bigger surprises in
the backup stories that grace many of the issues, but I’ll save those for
later. So how does Simonson handle this New God? The first issue runs a bit
slow, but is excellent storytelling. Simonson shows us a town on Earth where
the population is acting very strange.
So our build
up is a town that appears to be possessed yet is covering it up when outsiders
appear. Ok, where’s the connection? We then move on to Dan Turpin waking up
sensing something wrong. I am too. Where’s Orion? A couple more pages of setup
on New Genesis as Lightray and Orion’s mother, Tigra, discuss where Orion’s
gotten off to. Seems Tigra has just revealed in a prior New Gods series that
Darkseid isn’t Orion’s Father. This doesn’t sit well with her son and he’s off
brooding about it.
Nine pages in
and there’s our boy. Stunning isn’t it? Orion’s idea of brooding is kicking
some para-demon butt. However, since Tigra’s come clean about his parentage, it
looks like the para-demons aren’t giving Orion the same amount of respect or
the wide berth they used to. Still Orion dispatches them with ease. And maybe
he was brooding, as we soon find that the para-demon band was actually
patrolling near the source wall. Orion was simply here to ask the newly
elevated Highfather the truth about his origin and what that might reveal about
himself. He receives no answers.
Orion decides
to seek out Darkseid and force an answer from him. That leads him to Apokolips,
where Darkseid’s newest servant, Justeen is plotting to overthrow Desaad as her
master’s favorite. She has just dispatched a squad of suicide jockeys to take
down Tigra and avenge the wrong done to Darkseid. Darkseid himself is
off-world, apparently working with Desaad to some twisted purpose with that
zombified small town on Earth. Oh what tangled, elegant webs you weave, Walt.
Orion
proceeds to besiege Apokolips, leading Justeen to release the imprisoned
Kalibak. Moments before Darkseid’s more feral son finds him, MotherBox detects
that Darkseid isn’t on Apokolips and that his trail leads to Earth. Before
leaving, Orion can’t resist one quick beat-down on his half-brother.
God, I love
that art! Those huge sound effects done up in perfectly lined up hollow type
make me giggle like a school boy on summer break. So what if Justeen looks like
a Hela’s sexy teenage niece. So what if this issue feels a bit thin on the
Orion. I know that Simonson is building toward much better stuff to come. So
what if we only see a shadowed hint of Darkseid. He’s going to be a major
factor in this arc. The art through-out the issue is easily on par with the
Thor issues and so far the story is classic Simonson. True greatness from the
crapbox.
The glory of the cheap-bins is the greatness hidden within! Maybe this series is the answer to the oft-asked question of whether there is a non-Kirby Fourth World series worth reading?
ReplyDeleteI definitely think it is. I didn't cover the backup features which were "Tales of Asgard" by various artists and damn fine, in and of themselves. If you find any of these, snatch them up, IMHO.
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