Civil War time and Super-Blog Team-Up #8 showcases the BEST in Hero on Hero battles. Prepare your senses for the most pugilistic punch-fests ever presented as my fellow bloggers and I bring you
"Versus"
Check the links at the bottom of this page for more super-person slugfests and smackdowns than you can shake a stick at as well as a special mention about today's featured author
Rom #12
"Versus"
Check the links at the bottom of this page for more super-person slugfests and smackdowns than you can shake a stick at as well as a special mention about today's featured author
Rom #12
"Toe-to-Toe Titanic Tussling"
OR
"Jack of Hearts? More like Jerk of Hearts!"
Imagine if
all your interactions with people in your daily existence were built around the
model of how characters in the Marvel Universe reacted to each other.
If that were
so, you would end up punching a person in the head 90% of the time upon first
meeting them. Work, school, out at a bar…doesn't matter,...although
that last one might be the same anyway.
Soon as you see them, some simple misunderstanding and you develop a "shoot first-ask questions later" mentality.
Definitely that bar example is the exception.
Soon as you see them, some simple misunderstanding and you develop a "shoot first-ask questions later" mentality.
Definitely that bar example is the exception.
DC didn't do
this in the silver age, by the way. The idea of heroes bouncing each other
around on a regular basis was wholly a Marvel thing.
Before Marvel's innovation, comic book heroes rarely fought one another. They had few rivalries and lived in a world of perfect information exchange. Heroes always knew about other heroes, even relatively obscure ones. Upon first meeting, they were less likely to throw down and more likely to throw in together to beat up the bad guy du jour.
Before Marvel's innovation, comic book heroes rarely fought one another. They had few rivalries and lived in a world of perfect information exchange. Heroes always knew about other heroes, even relatively obscure ones. Upon first meeting, they were less likely to throw down and more likely to throw in together to beat up the bad guy du jour.
It was a
simpler time, both in the comic world and the world outside it.
But Marvel's
arrival on the scene in 1961 changed a lot of that. The stories springing forth
from Stan Lee, Jack Kirby, Steven Ditko and Larry Lieber were very much
products of a Cold War culture that wasn't quite sure who you could trust.
Between that and the need to tell superhero stories with a slant toward realism
rather than moralistic fantasy, produced a climate in the Marvel Universe where
mistrust was the order of the day.
It all
started off with Marvel's first family basically being giant bags of dicks to
everyone that came along. I'd previously let them off on a technicality when in
FF #4 they bump into Sub-Mariner, one of the heroes of WWII. He did seem a bit
unstable and was threatening to destroy New York or get all rapey with Sue. So a
little smackdown might have been in order. That one gets a pass.
But then we
move on to issue 12 and the foursome being duped by the Wrecker (not the guy
with the crowbar) and the United States Military (Trust No One!) to tackle the
Hulk under false pretenses. I'm almost willing to give this one a pass too,
since the Hulk wasn't really considered a "hero" by anyone at this
point. They did have to trek cross-country to confront him though. That's gotta
count for something.
The true "third strike" which defined the Marvel Age of hero interaction was recorded in the pages of Amazing Spider-Man #1 where down-on-his-luck Peter Parker decides to apply for membership to the FF as a way to help his Aunt pay the bills.
The true "third strike" which defined the Marvel Age of hero interaction was recorded in the pages of Amazing Spider-Man #1 where down-on-his-luck Peter Parker decides to apply for membership to the FF as a way to help his Aunt pay the bills.
It goes about as
well as can be expected.
Spider-Man
shows up unannounced.
The merry
band is downright uncivil to him.
Then they
attempt to bash him like his namesake and/or set him on fire.
Finally, Mr.
Fantastic tries to talk sense into everyone (after trying unsuccessfully grab
Spider-Man too).
And it ends
with Spidey leaving in a huff after being turned down.
So FF: kind
of an exclusive club full of jerks. Way to go, first family of Marvel.
After the
majors got to know one another, these things became less and less frequent.
They did still happen though.
Usually it
was mind control.
That's a reliable excuse. Or robots or life model decoys or
something impersonating heroes, although one could argue that neither of those
were real battles between heroes.
I would agree those don't count.
To have a
real "Versus" battle between heroes, you need what Rom #12 has: mistaken identity. In
the expanding universe that Marvel had become in 1980, there were dozens of
superheroes running around, most of them incognito and many of them with
dubious reputations.
The Rom title
was only a year old when this mano y mano brouhaha takes place. Rom's mission
on Earth to remove the shape-changing, identity stealing Dire Wraiths was just
barely underway. It was necessary for him maintain the secret of his enemy's
existence, as banding about that an unnumbered multitude of Earthlings were
secret pod-people would create mass hysteria and perhaps allow the Wraiths to
escape his clutches.
But it is
really the other side of the card in this title-match that proves to be the
instigator: Jack of Hearts.
Let me break
down Jack of Hearts' history for the unenlightened in our studio audience. Created
by writer Bill Mantlo and illustrator Keith Giffen, Jack was born Jack Hart and
ugh! That's just too convenient, am I right? His mother was secretly an alien
and his Earthling father was a scientist who created an energy source called
"zero fluid" and neglected proper safety procedures.
One little
oopsie and his son took a bath in said energy source.
The mutagenic
change caused by the zero fluid gave Jack the ability to project concussive
energy from his body and fly. It was also somehow killing Jack, even though we
never saw any indication of said imminent death by zero fluid poisoning. After
his father was killed by a mysterious corporation called…the Corporation, Jack
embarked on a mission of vengeance…mainly by mistakenly fighting every
superhero he happened to bump into.
First it was the
Sons of the Tiger in the Deadly Hands of Kung Fu book. But that was a oversized
black and white Marvel magazine, so I'm not even sure if that's canon.
But then he
met the Hulk and got into a fight with him…
He later
encounters Iron Man and gets into a shooting match with the Avenger…
After a brief
stint being the armored Avenger's trainee, he learns his lesson. Learns it well
enough that when he later comes across the Thing, he can't help but….get into a
battle with him.
Then of
course there is the Rom book I hold in my hands…
After which
he chanced upon the Silver Surfer, who he smacked around…
And met up
with Quasar, which resulted in…
You know, I
LIKE the character of Jack of Hearts a bunch, yet even I'm wondering if he
shouldn't take some anger management classes or something.
I discovered
Jack of Hearts in Iron Man #107 (also helmed by Bill Mantlo. Sheesh. I'm
beginning to think I wouldn't have had a pleasant childhood had it not been for
him). It was the final showdown between Iron Man and the villainous Midas, a
super-baddie with the exact same power as that of his mythological counterpart:
the ability to turn anything to solid gold.
This issue of the book cemented my love
of Iron Man, and it endeared me to the Jack of Hearts character as well. Iron
Man gets turned to solid gold (or so we think) along with all his superhero
friends. In truth, he had sealed off his armor, but we were none the wiser.
Even though he is alive, he is trapped inside this golden shell UNTIL….
The very zero
fluid radiation that gives Jack of Hearts his power, reverses Jack's golden
state. As Jack flies off (enraged, of course) to confront Midas once again, he
knocks over Iron Man, shattering the golden armor and giving Stark one more
chance at the fat man with the deadly touch.
Jack's plucky
overconfidence and reckless disregard for his own safety made the character
unique in my opinion. Although it wasn't until much later that I realized how
those character traits combined with a lack of restraint might not be the BEST qualities
for a superhero to have.
But best or
worst, he's the superhero we have in today's story, so after this long intro
let's get down to business. In this corner, ladies and gentlemen I give you
Jack of Hearts:
We begin our
tale with Jack flying around while training at a SHIELD agent facility, lamenting
his lot in life a bit.
Is it just me or should all of us be worried that the hero
with the least stable personality is also the one who's body could accidentally
detonate with a force that would destroy a large portion of the county? Just
me? Okay then…moving on.
And in this
corner, having just dispatched a BUNCH of possessed humans dressed up to look like
respectable scientists at this laboratory that is both heavily populated and
open to the press, I give you ROM!
Looks like
round one will be a warm-up round for Rom, as he takes on some MORE dire wraiths outfitted like Kirby shock troopers.
Art in the book is by the magnificent Sal
Buscema, who deserves his own article in the Crapbox. Perhaps another time
though as things are about to go very, very wrong…
Due to Rom publicly wasting the dire wrath impersonating Dr. Rachel Sweet, a signal is
sent to nearby SHIELD facility informing them that there's a Killer Alien Robot
walking around the labs. Which prompts Jack to swing by to render assistance.
Meanwhile,
Rom is taking out any dire wraiths he encounters and enduring being zapped by
the human guards who are unknowingly protecting them. The battle is pretty
one-sided, but all that changes when Jack makes an appearance.
Stop right
there, Jack…If you don't know who he is or where he comes from…maybe you should
give him an opportunity to explain himself….you know what, never mind.
It's just not in your nature, kiddo.
It's just not in your nature, kiddo.
This is Rom's
first encounter with a superpowered human and it makes him wonder if he has
underestimated humanity's ability to defend itself or if this is dire wraith
sorcery at work. In an effort to defend himself, Rom shoots Jack thinking the
hero can get as well as he gives.
Then Rom
pulls out his Analyzer and makes a startling discovery.
Jack is made
of pure energy and is NOT a dire wraith. Subsequent shots will KILL Jack, so
Rom's main weapon is out unless he wants this Earthling hero's death on his
cold, metal hands. Rom's not that kind of guy, so he's going to need an escape
plan.
And yeah,
definitely will do a piece on Sal Buscema soon giving the man props. Look at
the line art of all those radiating spikes. Such a great pose too. But for now
back to the festivities. Rom needs to get away before he accidentally kills
Jack or before Jack purposefully finds a way to kill Rom.
Unfortunately
Jack has other ideas:
Which leads
to some old-school fisticuffs and energy transference
The results
of which leave Rom so charged up that he has to expel all that excess energy or risk burning
himself out. Or worse: Exploding!
This time he
manages to make good his escape with Jack in hot pursuit. Rom's headed for
space, the only place he can expend all that power without hurting anyone. Jack
is fully locked in on to Rom in a kill or capture mode. Doesn't look like this
will end well.
Glowing with
enough energy to take out a few square city blocks, Rom makes it to space. Jack
is closing in though…
Jack makes a
grab for our hero spaceknight. Rom bats him away, trying to knock Jack back far
enough so he's out of the blast radius. He's unable to warn the younger hero of
the danger he's in due to the airless void they now find themselves in. Jack
typically misinterprets this and fires a final shot of zero energy.
…which causes
Rom to hit the afterburners, get as far away from Jack as possible before he
blows. Which he does, with enough force to have detonated Jack had he been any
closer to the spaceknight.
Jack has a moment, one single second, of clarity
before falling back on his misconceptions again. While Jack flies back safely
to Earth, Rom plummets through the atmosphere, a second Earthfall for the
spaceknight…only this time his landing is a splashdown.
And that's
where we leave him: at the bottom of the ocean. Jack is heralded as a hero, but
the real heroes are listed below, specifically every member of the "Versus" Super-Blog Team-Up crew.
Go give their links a clicky-clicky.
While you are
at it, Just Below is a link to help support care for Bill Mantlo, a personal
hero of mine. Hit the link to pick up a copy of his biography Mantlo: A Life in Comics and give something back to a guy who
brought all of us a great amount of joy.
The Bill
Mantlo Support Fund website:
Info: Bill Mantlo
was struck by a car while rollerblading in 1992. He suffered severe head trauma
and spent over two weeks in a coma. He has since been institutionalized and is
not expected to fully recover.
Mantlo: A
Life in Comics is filled with interviews of Bill and other Marvel luminaries of the time plus an unreleased story by
him. All proceeds of the book are donated toward the costs of maintaining
Mantlo’s daily care. Available now is the 2014 UPDATED EDITION, which contains
new information, photos & afterwords by both DAVID YURKOVICH & MICHAEL
MANTLO. This edition brings the reader
up to speed on ALL the MOMENTOUS EVENTS in Bill Mantlo's life that took place
in 2014.
Check out these great blogs:
Check out these great blogs:
This was a very enjoyable review and assessment of Jack of Hearts' history. You hit on two of my favorite issues along the way. Iron Man 107 is an underrated book in my opinion. That arc was filled with plenty of tension and intrigue. I thought Mantlo was at his best here, making Midas a reasonable threat. The use of all of the secondary characters from Jean DeWolff to Jack to the Wraith was a lot of fun.
ReplyDeleteROM 12 had me from the start. The Michael Golden cover was what made me buy this issue off of the rack. I have to say in this issue I felt Jack's reason for fisticuffs was relatively reasonable as ROM was perceived as killing people, but Jack was often a bit too quick on the trigger as you so clearly show. Sal's art is of course worthy of accolades and is among my favorite artists of the era. As a side note I would say Jack's costume is among the best from the Bronze Age. But it had to be hard to draw all of that detail in every panel.
That is a nice tribute to Bill Mantlo, who was surely prolific and talented from examples here to Micronauts which was incredibly enjoyable. Cheers.
I'm a huge Mantlo fanboy. I attribute my early love of Marvel to him almost as much as Lee/Kirby/Ditko. His fingerprints are on so many stories that I would read and reread a hundred times over. Then I didn't care who wrote them. Now I see how big an influence he was on creating a love of these characters and Marvel in general.
DeleteTee-hee. Sorry. In 107 remember when the girls psychic beam hits Midas and we got the shot of him getting his brain fried and then falling to the ground like a toppled fence post? Man how I loved that issue. Just had to add that.
DeleteLoved the history lesson, especially the early Silver Age research. Great article -- really fun with all of the art.
ReplyDeleteExcellent post!
Doug
Thank you, good sir. I appreciate the classics when they fall into my clutches. As well I love the rougher edged stuff in a "so bad, it's good" kind of way.
DeleteNice to see some appreciation for the talented and often-underrated Sal Buscema here. The first year and a half of Rom Spaceknight when he was doing both pencils & inks contain some of the best work of his entire career.
ReplyDeleteI'm a long-time fan of the Rom series. Bill Mantlo, another underestimated creator, did an amazing job taking a rather silly toy and coming up with a complete mythology for it, writing some entertaining stories.