Halloween
2018 Post-A-Day: Day 25
Horror-ible
Redneck
#7
The
vampire hicks live among us
"Untitled”
Writer – Donny Cates
Art – Lisandro Estherren
Colors – Dee Cunniffe
Letterer – Joe Sabino
Editor – Jon Moisan
Assistant Editor – Arielle
Basich
November 2017
Donny
Cates has a huge winner on his hands.
That
winner is the story of an east Texas family of vampire ranchers, the title of
the book “Redneck” serving as both a designation of their small town, southern
culture and the fact that they drink blood to survive. Vampire hicks and their
adventures after human society final comes crashing in to their quiet, insular lives
and community. Brilliant. I should run down to Austin and thank Cates
personally for this one.
Less
easy to do would be to hunt down Lisandro Estherren and Dee Cunniffee for their
participation in this. Estherren pencils add a simple elegance to horrible east
Texas scrub, or as Cates describes it “he draws ugly really beautifully, if
that makes any sense.” It does. His renderings of the Bowman clan resonate with
a gritty honesty of kin brought up under the heat of the Texas sky, living on
the dirt of the dry panhandle soil. And while we are on the art, you have to
mention Cunniffee’s color contributions. They give the book the splash of odd
hue that meld an East Texas sunset with the fantastical neon beer sign glow
surrounding the mythology of redneck vampires who’ve been alive since before
Texas was a state.
Sadly,
I’m late to this party. I’ve seen the books that came out of Image comic's blind
box. Watched as so many people showed off their copies of B&W variants of
Redneck like proud parents showing off a newborn. Variants are great and all
(okay, this isn’t my stance, but someone out there likes them), but you don’t
see every variant being touted as the second coming. Not unless the book it is
attached to is a popular, high selling title with a growing fan base and a
penchant for appreciation in value.
And
I believe Redneck ticks those boxes.
Certainly,
the back issue bin hasn’t been rife with them. When I found this issue it was
an insta-pull, knowing a little about the series and that it would fit in with
my Halloween Post-A-Day fluff. It didn’t matter that it was seven issues in,
which meant I’d be operating at a severe handicap. That’s a crapbox standard.
SoC never gets to read a complete story.
Still
worth it, in my opinion.
We
should dive in to the issue here, so you can see what I’m talking about. If you
plan on reading Redneck, there are probably spoilers in this issue. Go in
forewarned of that. Best you set this one aside until you go through the first
trade. If you are curious and want to see what the fuss is about, come with me
and let’s meet the Bowman’s.
The
background to this book is that we have the Bowman clan, who you will meet
shortly, an insular East Texas family of vampires. They’re ranchers and have
been living for decades taking blood from their animals and smoking the meet to
sell at the bbq joint run by their familiars in town. They’ve kept to
themselves, up until issue one.
Then
all hell breaks loose, and they go on the lamb so they aren’t discovered. And
no, I don’t have those first few issues that chart this course. Sounds like a
great thing to read though, so I will be picking up the trade later.
What
we do have is the family in hiding. They are surviving, not thriving. And right
now food is scarce. Scarce enough that they are competing with rattlesnakes for
wild boar blood. The narrator ruminates that while the South may be cursed,
Texas isn’t. No, by his estimations Texas is…
The
marksman is the mute vampire who is called “Evil”. Unsure of the name of the other
vampire, but I think it is Phil. Character is important in this. There is a
pecking order to the family and people follow the leader. This issue explores
that family loyalty dynamic set against the backdrop of a world that would kill
all of the Bowmans as monsters if it had a chance.
The
message is clear in these first three opening pages where the pigs are snakebit
but have to used to feed the family anyway. The world is poisoned yet the
Bowmans must make the best of it. And the parallels to David Koresh’s fate
links so closely with the prior arc concerning Sulphur Springs that we catch
the implications instantly.
I’m
sad that I have to strip this one down for you. Cates has a marvelous ability
to write characters in voice, and the Texan in my heart feels these breathing
people behind every panel. Even though these are vampires.
We
return to the shack where the rest of the family is encamped. I believe this is
the father of the pack, who I believe is JV or “Dad.” Our voice over is
Barrett, I believe, who narrates most of the series. Right now, with Dad sitting
on the porch with a shotgun that means the head of the Bowmans is still wary of
what’s coming.
Unlike
his kin inside the shack who are playing cards, who are bored and anxious.
Perry, the youngest and only girl in the group appears to be winning, however
some of that might be on account of her ability to read other’s thoughts. The
rest of the clan points this out.
Odd
that we find vampires who still seek to live by Christian ideals. Very odd,
indeed. Yet also, very bible belt too.
Seamus
is the bald gentleman trying to turn the conversation to not remaining holed
up. He was one of the trio that made trouble in town last issue and caused much
death and destruction. That is if I’m not overstating the trade’s back page
blurb.
It’s
here, across this card table that we start to see the family fracture a little.
Alliances are made and a clear division becomes visible between what JV wants
for the family and what Seamus wants. It also points out the relative youth of
these folks vs JV and Barrett, who take a more mature stance.
We
have one element her stoking the fire. Landry, a new vampire who got turned
somewhere over the course of the last six issues. He’s playing the brothers
against the father to his own advantage, as you will see by issue’s end.
Or
as it appears Perry sees right now.
Phil
and Evil show up with the hogs, causing the game to break up. Landry tries to
mend a fence with Barrett, who is the only one who treats Landry with anything
approaching a non-hostile attitude.
He
is also apparently the only one who is attempting to show Landry the vampire
ropes, as this scene between Barrett and JV points out.
And
while JV allows Barrett to take over watching the house, you can tell there is
no love lost between him and Landry. Makes me wonder if Slap or Gramp’s death
in the prior issues had anything to do with Landry.
Barrett
and Landry start their walk with Barrett asking if he’d like to hear some unflattering
stories about his ancestors. That leads me to believe Landry is from the other
clan, the neighbors they were at war with. It is entirely possible. Instead
Landry wants to know more of the “rules” and frankly so do I.
Barrett
goes on schooling him, while uncovering a hidden bottle of “bloodwiser” that he
kept under the base of a tree. He shares a swig with Landry while they discuss
how the “have to be invited in” rule is in effect, but others aren’t. Landry
says that it makes no sense…
At
this point, Barrett points out that Landry isn’t confused anymore about liking pig’s
blood, which leads to a foreshadowing conversation.
A
lot of things going on under the surface in this that I will let percolate for
now. Suffice to say, Landry isn’t the good guy he comes off as here and Barrett
should recognize that fact.
Landry
asks if Barrett ever turned anyone which gets him melancholy for this woman named
July. The event must have ended badly for them both, as his reaction shows…
Landry
wanders back and Barrett follows shortly thereafter. He finds JV on the porch
with a shotgun and a pocketwatch waiting for their return.
Appears
that only Barrett returned and that pisses JV off to no end…
What
JV finds when he goes looking for Landry is such a spoiler and this series is
so new that I’ve decided to end this review a little early. I will say in
conclusion that THIS is an amazingly good series the everyone should support,
myself included. Go find a trade or some back issues if you don’t believe me.
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