Fantasy
February and Magical March!
Goddess
#1
Gross
and mean and funny.
"Dangerous to Man”
Writer – Garth Ennis
Artist – Phil Winslade
Letters – John Workman
Assistant Editor – Chuck
Kim
Editor – Archie goodwin
June 1995
We’ve
spoken of Garth Ennis before. He’s the mad Irishman who created such hot
sellers as Preacher, Hitman, The Boys and who had fan-favorite runs on Punisher
and Hellblazer. His work consists of violent, action-packed page turners that make
you feel a little dirty for loving so much.
Take
his Goddess miniseries. Now, the Crapbox didn’t give me more than one issue of
this modern-day fantasy story, but all the blood, gore, and black comedic
characters that are an Ennis hallmark live between that one issue's covers.
We
start off in an extreme dolly shot over the planet Earth. We call this Rosie’s
story.
And
soon enough we’ve panned down to her walking around while our unseen narrator recounts
his remembrances of her, evoking her through eyes that clearly love her.
But
on this particular day, things for Rosie will change dramatically. As she
stoops to stroke a stray partridge, a strange feeling assails her.
And
it’s hear that Phil Winslade’s art really gets to shine. Winslade works in the
same way that Steve Dillion’s does on Preacher, it puts pictures to Ennis’s
story that match every stroke of his savagery and beauty in ink and pigment.
Just
watch as Rosie’s spasm affects not just her…
…but
all of the British Isles by breaking Scotland free as its own island.
We
move on to the second of our cast of four, who is also our narrator, seen here watching
the British political world unravel due to Rosie’s sudden land mass shuffling.
Speaking of shuffling, his live-in girlfriend appears to be shuffling out with
most of the apartment.
Moving
on we find ourselves off the coast of Australia on the boat Nylie’s Dream, captained
by the hard-to-like gent known as Mudhawk. Right at the moment he’s about to
lose his charter…
…to
sharks. Appears his charter is a young rock star from the band XSIV who fancies
himself a sport fisherman, only the fish he is aiming for are great white sharks.
And
killing sharks seems to have upset Mr. Mudhawk quite a bit.
Before
you ask, yes…I looked this up. The “XSIV” band name was a kicker for me. It
appears there is a whole chapter about it in the autobiography of INXS: Story to Story where Tim Farriss caught and killed a great white shark.
Apparently,
this didn’t sit well with Mr. Ennis and thus we have a sequence where this
darker side of humanity called Mudhawk tortures the lead guitarist of an Australian
rock band…
…until he is eaten by a great white shark that he had hoped to catch and kill. I’m
good with it. If Farriss’s soul can live with having killed a majestic wild animal
for nothing more than sport, then he can take someone putting the screws to him
in print.
I
also have to state that in most books Mudhawk would be the villain of our
piece, but not here. In Ennis’s world our villain looks much more like this…
Harry
Hooks is exactly the kind of dickhead that will hit a woman’s car in traffic
and use his place in the CIA to justify cursing her out for his mistake, calling
her a fat bitch, flipping her off and leaving the scene of the accident without
providing any insurance information.
In
short, our good guys may be “bad” but our bad guys are much, much worse.
We
leave this jerk to head back to Rosie, in the midst of quitting her job at the
local zoo when the unthinkable happens…
…Our
narrator perches himself on a branch over the tiger enclosure in what can only
be an aborted attempt at killing himself. While he sits contemplating this act,
a bobbie comes along and tries to pull him in.
Unfortunately,
the branch has other thoughts, dumping the both into the pen. Our narrator ends
up the dessert that comes with the meal in this instance.
Or
not, as Rosie intercedes on his behalf, her new powers manifesting to calm the
savage tiger.
Which
leads us back around to Mudhawk attempting to make it through Heathrow Airport
customs with his dignity intact, but due to a random spot check, he’s pulled out
of line for a cavity search…
Which
goes over about as well as you would think someone like Mudhawk would take having
his prostate tickled…
While
he handles these guys pretty easily, he by no means is in the clear. As soon as
he steps outside, he (and everyone on the arrivals gate) are greeted with a
hail of gunfire. Ennis really likes to paint his action scenes with people who use
unrestrained violence.
The
over the top crazy violence at this point has me giving up on thinking this
book has any basis in a reality I can latch on to, and so I’m just going to
allow it a wide latitude and go with it. Sure it is full of gore and violence,
but it is also quite a bunch of fun.
Madhawk
attempts to steal a car as soon as he hits the street, and by the luck of the
plot, it just happens to be that of an old girlfriend.
While
they get reacquainted and become fugitives from justice…
…our
C.I.A. asshole arrives at London’s super-secret headquarters of X-Files things
under a public toilet in a London park. He quickly makes an asshole of himself
here with a joke that runs its course in a matter of two panels and then Ennis
proceeds to beat to the dead carcass of for the next two pages.
I’ll
spare you more of this, as it just becomes sad and unfunny. We get to the end with
both agents going to pick up Rosie.
Meanwhile,
Sam and Mud are making their way to Rosie’s. Mud is thoroughly apologizing for
running out on Sam because he was being sought after by the police…and also for
her having to dump her truck…and for them having to steal a Chinese delivery
van…and that Rosie is just a good friend. None of which I think Sam is buying.
And
while they wait outside for her, our narrator goes to say thanks to Rosie for
saving his life…
Which
makes exactly the kind of event the cops are looking for to “Kidnap the Girl,” the
unflattering name they use for the operation.
The
agents grab Rosie and rough up our narrator while Mud and Sam watch. By the
way: if you think a girl has goddess-like powers that would allow her to split
a country in half with her mind…
…LEAVE
HER THE F*CK ALONE! (word to the wise or those that want to keep their heads
intact)
And
that’s where we end, which is quite a good cliffhanger.
Ennis’s
series went on for another seven issues and I will assume that all of them were
this same level of Ennis-y goodness. Which, if that is your cuppa’, you will
find yourself well satisfied.
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