Superhero
vs Superhero
Supergirl
#18
Supergirl
vs. Supergirl?
Part
1 of “Stop Hitting Yourself!”
“Little Miss Perfect"
Writer – Joe Kelly
Pencilers – Adam Archer
and Ale Garza
Inker – Sandra Hope
Letters – Rob Leigh
Colorist – Rob Reis
Assistant Editor – Adam
Schlagman
Editors – Eddie Berganza
August 2007
I
so love subdividing the crapbox. It’s so much fun to find all the tropes and
cliché’d tales and recycled/upcycled/homaged ideas. We keep telling the same
stories over and over again.
For
this part of superhero vs supehero we are going to do a sub-set called “Stop
Hitting Yourself!” where the primary antagonist is also the primary
protagonist. The standard tropes of mind control and mistaken identity can’t
apply when the hero appears to be fighting themselves, so I figure this should
spice things up a bit.
We
actually kicked off Superhero vs. Superhero month with a tale very much in
keeping with this back when we showed the Avengers vs the original Avengers.
So, it is only fair that we start this section off with DC. And while we are on
the subject of Supergirl, I figured this more modern take on the hero from 2007
would be as good a jumping on point as any.
As
for this version of Supergirl, she popped up via the World’s Finest replacement
book called Superman/Batman. She was a Kryptonian also from the house of El.
Her spaceship got stuck in an asteroid from the dying planet and ended up in
Gotham Harbor many years after Kal-El’s spaceship crashed. Thus she started out
older than Kal, but due to being in suspended animation longer, she is now his
junior by over a decade.
This
Supergirl had a bunch of detractors. Fans complained about her mid-drift baring
outfit, her sassy style, and her subconscious dark side. And speaking of that
dark side, she’d already fought a physical manifestation of herself earlier in
this same series. It was a goth version of Supergirl that sought to make her
kill her cousin Superman. That ended with the two of them being merged
together, which was fitting as I think the goth Supergirl was somehow a part of
her that got separated. Not real
sure, as all I know is what I see on the covers.
This
time, the aspect attacking Supergirl (that just appeared last issue), seems
like she’s a holier than thou-type of manifestation. In fact, her entire beef
with Supergirl is…you know what? I should let her explain it…
Supposedly
Supergirl (mid-drift) has stolen Supergirl’s (unitard) life. And I can see
already that this tale is going to be difficult to narrate if I have to type
out their names and outfits every time I want to refer to one of them. Let’s
take a word out of the title and see if we can make this easier for everyone.
So
here’s “Perfectgirl” slugging the snot out of our title character, Supergirl.
Page two, folks and the battle is already joined.
For
all her perfection, Perfectgirl doesn’t seem to mind tossing Supergirl into
buildings and doing the whole “Zod in Man of Steel” thing. She does make some
points though: Supergirl did, due to the influence of that goth version, have
to work out some anger issues that had her looking to kill the popular Kal-El
dude.
Supergirl
is out for blood though and it seems she’s dealing with some Red Sun issues
causing her to not be operating at max capacity. Perfectgirl doesn’t seem
impeded, if this panel is anything to go by.
And
as much as Supergirl might not be the nice, girl next door we’ve had for years,
Perfectgirl is soooooo much worse. Everything from her smug facial expressions
to her smart-ass back talk and her inane puns…
Even
fans who hated the new Supergirl had to be rooting for her at this point. And
perhaps that was the REAL reason for this confrontation: to put at odds fan's
perceptions of the “classic” Supergirl who was perfect at everything and the
new Supergirl, who had to work harder but was more stressed out and PTSD. And some of that
personality begins to shine through right about here with the part about going
insane.
Also
no clue what the problem is with those two members of the populace. Chalk that
up to the random nature of what the crapbox provides.
Unfortunately,
when Supergirl tries to go after the source of whatever is turning people into
rejects from a Romero film, Perfectgirl turns the tables on her. She not only
accosts her, but she psychologically torments Supergirl, giving rise to doubts
that she might be the reason everyone is having problems.
The
best time to consider her words is not while standing in the middle of a live
subway track, however.
That
surly would have killed someone in real life.
And
while we see people there at the moment, the next they dissipate
leaving Supergirl dazed and disoriented. Perfectgirl continues to press the
advantage, pulling her out of the train tunnel and taking her on a joyless
joyride.
She
drives home some of Supergirl’s shortcomings, almost as if Perfectgirl is one
of the very comic book fans who have been complaining about this new Supergirl.
The issue being Supergirl’s dark side and her discovery that her father wanted
her to kill Kal-El instead of saving him so he wouldn’t tarnish the House of
El’s good name. It put her legacy at odds with the first incarnation of the
character.
Each
of these points is kind of an “FU” from the writing staff to the Supergirl
detractors, in some ways it is a deconstruction of the character done up to this
point since she had not really been that successful. She got better once they moved her
into the Legion of Super Assholes later on, if only because she was the nicest
character in that group. For now though, by trying to make her relatable with
lots of mental problems the writers had kick many fans to the curb.
I
have to admit that I like a more simple “good girl” Supergirl. She falls into
the Superman Family and like him, should have that same solid moral code. The
Superman books have always been bold fantasy sagas that are more about his
humanity than they are about his power set. Creating a character with the same
powers but a messed up moral center will probably go dark and gritty quickly,
which is not a path I want a DC Super- title to go.
Whatever
my feelings, Perfectgirl in the storyline amps up the head games. At this point
she’s almost got Supergirl on the ropes thinking of herself as some kind of
messed-up Crisis anomaly or divergent-universe remnant.
And
man! Does Perfectgirl lay it on thicker than steel.
She
has Supergirl compare herself to Superman and to Conner Kent/Superboy. And
while the latter had gone through man many years and trials that would fit him
in the less than perfect category, his sacrifice at the end of Infinite Crisis placed
him undoubtably at the pinnacle of herodom. Her cousin Superman needed no such
redemption given his flawless past.
It’s
here that we see Supergirl give in to the doubt that Perfectgirl has nurtured.
She tried, but like everyone who stumbles, she counts only her missteps and not
the great strides she’s made over the two years she’s been around.
So
when Perfectgirl offers to fix all of Supergirl’s present and future mistakes
if she will just step aside, we the audience are really rooting for Supergirl
to say “No.” Even in the realm of comic books, no one is that “perfect.”
Sadly,
she gives in to self-doubt and accepts Pefectgirl’s pro-offered handshake. With
it, she fades into nothingness, bemoaning the fact that she screwed everything
up.
And
having fully absorbed the essence of Supergirl, Perfectgirl flies off to take
her place, stating that the REAL Supergirl…
…Doesn’t
GIVE UP! Which she doesn’t, even at her low point. Supergirl allowed herself to
be absorbed by Perfectgirl and then shatters her from the inside.
And
with Perfectgirl in a million-billion shard-like pieces, Supergirl lectures her
on what it truly means to be a superhero. How setbacks always happen, but how
you handle them is what makes heroes great.
Perfectgirl
is quite beside herself over Supergirl’s surprising strength and revelations. After
this sudden turn, the poor thing just can’t seem to pull herself together.
And
it is then that this dark demon chick shows up to tell Supergirl that she WILL
fail and to sort of admit by her very appearance that she was behind the Perfectgirl
ruse. More and more of the real world shatters as the red-eyed witch starts to
attack Kara.
Supergirl
fights back, frustrated with all she’s been put through and at that point an
arm belonging to a Monitor appears and drags his “agent” away. While doing so,
he makes it appear that the prior 17 issues of this series might have all
happened in Kara’s head.
Remember
that season of Dallas they wiped away by having Bobby, who had been shot dead,
just appear in the shower at the end of the season? Then they said an entire
year of the show that you wasted time watching was a dream. The entire thing a
dream. Yeah, sort of like that, but in your anger you can take 17 issues of
Supergirl to the shredder.
And
you even get to listen to the Monitor explain all of that in detail…
…and
absolve pretty much all of Supergirl’s past up to this point, including that
her father sent her to Earth to kill Kal-El.
Dark
Angel still thinks Kara isn’t right for the job, but the Monitor forcibly removes
her and himself from Kara’s life, leaving the girl in deep, deep space.
But
weirdly, not alone.
And
thus the issue ends on a cliffhanger, but not one that makes me feel like
searching through back issues to find out the answer.
After
reading this, I do feel that fans were at least partially justified in how they
felt about Kara. Her character was always confident, stable, and self-assured all
the way up to the 80’s. Even after the introduction of Matrix Supergirl, she had
many of those same qualities, if her loyalties were a bit of a problem. But
this Supergirl constantly puts herself down and calls herself crazy. And I’m
not too keen on her trying to stab people with sharp objects like she did in the
start of this issue.
As
for where she goes from here? I don’t know and frankly don’t care too much to
find out. I’ll wait until they reboot her again, which they did in The New 52.
We will check in on her later, I promise.
For
now, we have other superheroes to watch as they punch themselves.
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