Tie-Ins
Space:
Above and Beyond #3
From X-Files scribes, something poorly acted this way comes
"Whatever It Takes,
Part Three”
Writer – Roy Thomas
Pencils – Yanick
Paquette
Inks – Armando Gil
Letterer – John Costanza
Colorist – Digital
Chameleon
Editor – Len Browsn
Associate Editor – Jonathan
Michael Baylis
March 1996
It
should have been easy. For show runners Glen Morgan and James Wong, handling the
writing of a great TV show was second nature by this point. The pair had been
working together since high school, writing scripts for 21 Jump Street, The
Commish and long run of success on The X-files.
That last part was instrumental in landing the space war drama Space: Above And Beyond, which the much younger and hopelessly
addicted to X-Files me put a lot of hope into. The show followed the adventures
of a squad of Space Aviators codenamed “Wildcards” as they graduated from the
academy and fought their personal demons while battling against an alien space
fleet called “the Chig.” It sounds like a winning combination of elements, but
for me something didn’t gel.
If you watch the first episode (sorry about the crummy audio), you’ll perhaps see
why. The two-hour pilot is filled with every war movie cliché you can think of and the
characters come off more as lists of stock plots than they do real people.
Take West, our young male lead. He only joins after being bumped from his place beside the love of his life on a space colony trip. But joining the space aviators means a chance for payback too, as the alien Chig attack the colony ship before it reaches its destination, abducting twenty-three people and killing the rest. With West, we have a driven young man wanting revenge.
Take West, our young male lead. He only joins after being bumped from his place beside the love of his life on a space colony trip. But joining the space aviators means a chance for payback too, as the alien Chig attack the colony ship before it reaches its destination, abducting twenty-three people and killing the rest. With West, we have a driven young man wanting revenge.
And
not just on the aliens, either. West was bumped from that colony ship because
the government gave equal rights to clones grown in vats. His seat was taken by
one of these clones due to a government edict. So he's kind of hacked off at them too.
The
clones were created as warriors. Seems we had some problems with some androids
we created that went rogue. These baddies were called Silicates and after
attaining sentience they went all Terminator on us. Our leaders decided to swell
the ranks fighting them by growing an army of artificially gestated humans. Identified
by a belly button on the back of the neck, these cloned beings are termed “Tanks”, "Nipple-Necks", or “In
Vitroes.” After the war, they were treated less than fairly by humans, being
subject to racism and prejudice.
And
since West hates them more than most for taking away his chance to die beside
his girlfriend, Wong and Morgan throw in a Tank as part of the squadron. But
not just ANY Tank. Nope, Hawkes (above) has to be the most mavericky and undisciplined rogue
you’ve even seen. Of course, the pair has to overcome their mutual distain for
each other and learn to work as a team. Oh, and Hawkes has to learn to trust
his teammates to have his back, which he does only after one of them pledges
loyalty to him and then is killed by an alien.
Our
leader in this mess of young aviators is Vansen, a woman who watched her
parents get killed by silicates when she was just a kid. She was forced to hide
in an attic crawlspace with her two siblings when the androids burst in. She still bears the scars on her palms where her sisters bit her while trying to
scream.
Maybe
all of this sounds okay to you, but it is pretty clear after painstakingly watching
the two-hour premier that this was dreck. The acting by most of the young leads
was wooden, especially Morgan Weisser’s West. The direction is uneven, as if it
was filmed by someone watching Starship Troopers and not understanding it was
satire. Examples would be things like when the premier aviator squad gets toasted in
battle with the aliens, our young cadets rush over to watch the injured rolled in
on stretchers while other med-techs casually toss full body bags on the curb
for pickup. it comes off as too on the nose.
And
some parts feel forced. Vansen has to show herself to be worthy of being in
command, so Wong and Morgan have her team of green recruits go on a mission to Mars
of “critical importance” with no seasoned commander. The only reason for this
is to give Vansen the opportunity to lead and make good decisions, which she does by capturing
an alien whose ship crashes near the relay they are fixing. An alien that they accidentally
murder by giving it a drink of water in the gills along its neck.
The
show didn’t work for me. Back in 1996, I tuned out right about that alien death part and didn’t see the end
until just Saturday while writing this review. Sure, the show has R. Lee Ermey as the drill sergeant
Major Bougus and he does his standard heart of iron training montage stuff. But
it is awkward to hear him read lines like “In space no one can hear you scream
unless it is the battle cry of the United States Marines.” And when he
pronounces the made up name of the space ships…sheesh, so embarrassing. He is
clearly better than this entire production.
And I'm not kidding when I say it contains every war movie scene they could shoehorn in. Flag draped coffin
funeral ceremony complete with weeping mother being handed the folded flag? Check!
Scene of maverick character vowing to be a better solider over grave of dead
comrade? Check! Scene of nubes being blown off by experienced aviators in bar
causing bar brawl? Check! Scene of experienced aviators being brought back in
body bags in front of nube aviators? Check! Scene of explosions in the sky/on
TV while aviators are on leave with their family prompting them to be called
back to base for active duty? Check! The maverick screwing up a training mission,
so the drill sergeant can yell that the squad doesn’t need to worry about the
enemy, just the maverick? Check!
The
pilot is like EVERY war movie rolled into a pile and sprinkled with ample amounts of space dust.
And
while it did garner two Emmy and one Saturn nomination, the show was cancelled after
one season of 23 episodes. It has since ranked as number 50 on IGN’s top 50
Sci-Fi TV Shows, but I’m not certain what the writers and editors of IGN were
smoking. I dumped out after the first episode and didn’t look back.
That
didn’t stop Topps comics from taking the license and turning out a three-issue
comic that retold the pilot and a two issue follow up subtitled The Gauntlet.
What
I hold my hot little hands here is issue number three of the retelling of the
pilot, at the part where the show gets past all the training and melodrama and
jumps right into what sold most of us on the show in the first place: spaceship
shootouts. No less a talent than Roy Thomas gives his all writing it (from Wong
and Morgan’s script). Yanic Paquette and Armando Gil illustrate with more flair
than your standard tie-in. As a tv show remake issue it ends up BETTER than the show it
comes from, primarily because the actors and director are not in any way
involved.
Let’s
jump in and give it a look, shall we?
We
begin with Nathan West painting the “Above and Beyond” on the side of his ship.
Captain Vansen rushes up to him to tell him they’ve got their orders for a ship
assignment, something they’ve been waiting on since they got back from their
solo Mars mission and the attack they watched from his parent’s house. Look at that beautiful aircraft!
In
the tv show this scene is cringe-worthy because West grins like it’s the happiest
day of his life, not like he is grimly determined to mete out some justice on
the aliens that killed his girlfriend and squadmate. It is an awkward choice
the actor and director made to have him smile so wide. And after he does, West
and Vansen run off-screen like happy school children only to come face-to-face
with this…
Here
it shortcuts to the horrors of war without showing us gleeful inductees glad to
finally get into the fight only to suddenly face the grim reality in a very
trite manner. The transition in the single panel moves directly to concern
without that awkward smile on West’s face and it makes all the difference in
how the scenes play. Also we don’t have someone tossing body bags of dead
aviators on the sidewalk like they were laundry sacks going to a drycleaner.
Instead we get a swarm of activity around the few survivors and West being
strong armed out of the way. There are dead guys in the background, but they
are being treated with the reverence you would expect of fallen war heroes.
The
briefing of the plan plays out much like it did in the show…
…with
West acting all indigent at not being one of the squadrons who are set to meet
the enemy head-on. At least we shorten R. Lee’s salute scene to just the one
as the “SA-43 Endo/Exo-Atmospheric Attack Jet” fighters take off. And yeah,
that is a silly name and I almost spit-took when I heard R. Lee say it in the
show. Nice of them to reduce it to “Hammerheads” later on.
And
is it just me or do even the impressive space scenes look better in comic book
form? This is the squad flying to their new space battleship and encountering a
lone bogey…
…that
they don’t catch. Just like with the downed ship they find on Mars, this ends
up being a big “gotcha” later on.
Wong and Morgan placed so much importance on
this one group of pilots that it unbalances the story in my opinion. They are
always in the right place at the right time. Of course, they find this out immediately
after they dock with the carrier…
…and
are rushed into an emergency briefing with their new commander, McQueen, who
also happens to be a Tank like Hawkes.
And
just like Hawkes, McQueen is a maverick who runs the show HIS way, typically by
throwing around tables. Also by setting up incredibly dangerous traps for the
enemy ships by stationing fighters in the middle of asteroid belts (which in this universe are extremely dangerous…as opposed to how they would be in reality!). However, if they do this risky thing…Payback time!
The
scar-faced squadron commander wraps up his pep talk and we get shots of our two
male leads almost wishing each other good
luck.
And
then it is "hide in the deadly asteroid field and scientific knowledge be
damned" time. Too bad, Red-4! You were killed by people’s perceptions of how an asteroid
field works.
Sadly,
the enemy changes course at the last moment and it looks as all this hiding (not
to mention Red-4’s sacrifice) will be for naught. The enemy will fly in the
other direction. And that’s when Hawkes gets his chance to pull a stunt that
would get anyone else court marshalled…
Putting
on a little Ramones “Blitzkrieg Bop”, which was wrongly attributed to Pink
Floyd earlier in the show (as if these kids were unable to google things at
leisure), Hawkes disobeys orders and makes like a decoy for the enemy ships.
And
look at all those enemy ships! Paquette and Gil have a field day here and the
overly dramatic showing comes off as impressive. Hawkes makes it back alive, of
course...
…And
he does so leading a large contingent of the enemy forces after him…
…But
without some assistance from McQueen, Hawkes would be a smear on the side of a
space rock. With the word “Downtown”…
…Vansen
springs the trap on these fighters and we have some bright fun dogfights to
watch.
While
it is probably the most impressive thing on the tv show, the intensity of these
scenes in the comic comes off better. The vibrant purple of the attacking
craft and the graphics Paquette and Gil come up with are worth the book’s asking
price.
In comic form, the script zings and we don’t have distractingly bad acting to
detract from it. I am falling for Space: Above and Beyond as long as it is just
graphic novels.
As
for the battle itself, our young heroes are acquitting themselves well right up
until Shane is about to be blasted out of the sky and no one can get to her.
Luckily
someone draws a bead on the alien and squeezes, but it turns out not to be any
of her Wildcards squadmates…
…but
is instead a salvo from the inbound fleet of Earth carriers who have just
passed through a wormhole behind the enemy. This tight pincher maneuver inflicts
heavy causalities on the Chigs, eventually leading to their retreat.
So
our young combat pilots are hailed as heroes…
…
at least until they aren’t by their new squadron commander McQueen, who is still plenty
sore at Hawkes.
Even
thought he does send a toast back his way while West moons over the picture of
his dead girlfriend…
…reciting
the last words of his speech he wrote to her when they shipped out to the colony,
but he got left behind. Something about how much he loved her and whatnot,
while he tosses the medal away.
Morgan
and Wong had five years of this series scripted out, but it wasn’t meant to be.
The show came on Sundays, a horrid day for shows given that football can sometimes
preempt them. Whatever the cause, by the end of season one it had dismal
ratings. The last show was a cliffhanger with most of the cast either missing or
apparently killed with only Hawkes and West remaining. It was written with the
show cancellation hanging over its head.
I
can’t say that I miss the actual show, but more Thomas, Paquette, and Gil
Space comics would be much appreciated.
Thanks for another great review! I actually really liked the T.V. series, but being a former Marine I always give a little more credit than what's due for anything Marine-related that manages to find it's way into pop culture. I think it deserves a reboot without the 90's-Tastic CGI, some less shaggy haircuts, and better casting. As far as the comics go, I did a Longbox Junk review of the follow up 2 issue mini (The Gauntlet, with the same creative team) and found it to be. . .okay. From your review, it looks like a bit more effort was put into the Pilot adaptation. Thanks again for your hard work!
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