Christmas
2018
Kid’s
Stuff – Saturday Morning Cartoon Edition
DuckTales
# 5
Tales of daring do never felt quite so ducky
"Scrooge’s Quest,
Chapter 5: Down, but not out, in Duckburg”
Script - Marv Wolfman
Pencils - Cosme Quartieri and Anibal Uzal
Inks - Ruben Torriero, Carlos Valenti, and Robert Bat
Lettering - Bill Spicer
Coloring - Pat Keane
Editor - Bob Foster
August 1989
Script - Marv Wolfman
Pencils - Cosme Quartieri and Anibal Uzal
Inks - Ruben Torriero, Carlos Valenti, and Robert Bat
Lettering - Bill Spicer
Coloring - Pat Keane
Editor - Bob Foster
August 1989
By
1987, I was well into my second year of college. I didn’t have time for TV. I
had time for textbooks, textbooks, and more textbooks. And when I wasn’t
studying, I was working near full time. I say “near” because my employer realized
if I worked 40 hours I got benefits, but if I worked 39.5 hours, I was still
part time.
Meh,
I was young and needed the money. Being still in college and sponging a bit off
my parents for things like medical insurance meant I didn’t really think I
needed full-time benefits if it meant I might feel tied down to my employer. I
was working retail to pay car and gas bills and I didn’t want to get hooked into
a career path in a grocery store. The work was hard, the hours were long, and
being in the Meat Department meant I was constantly cold and covered in either
cleaning bleach or blood. Or both.
I
certainly didn’t have time to check out a Disney kid’s show featuring Donald Duck’s nephews, their girl-pal Webby and the richest duck in all of Duckburg, Uncle Scrooge McDuck.
DuckTales
is another cheat I’m adding to this list since it also did not air on Saturday
morning television. Disney had invested heavily in the property, banking on
making it into syndication. They hired the Japanese animation company Tokyo
Movie Sinsha and commissioned them to make 65 episodes. Sixty-Five was
considered the “Magic number” required for a show to have a weekday syndication
rotation of 13 weeks before repeating itself.
The
show became an immense success for Disney, lasting several more “seasons,”
although these were rarely more than Disney adding in a week or two’s worth of
episodes to the already large library of shows. By my count, the show topped
out at an even 100 episodes released over four seasons plus one theatrical
release.
Because
it was so popular, Disney invested in the same formula with its next few
animated shows. DuckTales paved the way for quality animated shows like Chip ‘n
Dale: Rescue Rangers, Darkwing Duck, and Tailspin.
But
it wasn’t just the quality of the animation that created the cartoon and subsequent
series their followings. It was in large part the storytelling used that, while
all ages appropriate, was also quite sophisticated. DuckTales told good stories
and tended to not underestimate the intelligence of its target market.
Much
of that storytelling quality has to do with the tales being inspired by the man
who created the concepts of Scrooge, the Beagle Boys, Gyro Gearloose,
Flintheart Glomgold, Magica De Spell, and the concept of the Junior Woodchucks.
And all of those flowed from the pen of the most famous scribe in the Disney
comic book creation canon, Carl Barks.
Banks
worked creating Disney comics from the late 1940’s through the early 1960’s, and
his decade plus of story inventory was a gold mine Disney plundered to create
its show. He worked primarily for Western Publishing after quitting the animation
department in 1942. His prior experience in animation and producing stories for
Donald Duck guided Barks in developing an entire town for Donald and his
nephews to inhabit in his comic book stories. Originally doing 10 pagers, Banks
soon surrounded Donald Duck with a huge cast of characters created specifically
for the comics and transformed the rudimentary single issue stories into sweeping
adventure narratives that would string on from book to book.
It’s
from these tales that Disney mined the gold they needed to power DuckTales and
there are many examples of episodes that owe their inspiration and plot to Banks’
keen eye for storytelling.
I
finally would discover DuckTales in late 2005 after the birth of my son and the
series subsequent release on DVD. Fatherhood has many hidden benefits. One of
them is getting a chance to experience the thrill of sharing a series like DuckTales,
that most of my younger online friends had lauded as awesome and lots of fun,
for the first time with my young son. I get the great vibe the series sets up
as well as its terrific cast of characters and impressive animation.
Disney
themselves were even so taken with the show that in 2015 it was announced that
they would be revamping the property for a new 2017 release. Many were concerned
when the original voice cast were not invited back, but David Tennant (Doctor
Who fame) was hired to voice Uncle Scrooge. That can’t be all bad. As before, I haven’t taken the time to check any of these out.
Now
that we’ve traveled the Ouroboros around from Banks creating the Uncle Scrooge
comic adventures to Disney rebranding and animating it into DuckTales, we end
up back where we started: a comic book about Uncle Scrooge, his nephews, and
Webby that’s a full-length, multi-part epic that follows their misadventures
trying to defeat bad guys and save Scrooge’s fortune.
Sounds
familiar, doesn’t it?
That’s
because it is. Nicely, Disney was good enough to hire an old pro to write the
thing. DC New Teen Titan’s scribe and Crisis on Infinite Earther Marv Wolfman (also
known for many, many Marvel books as well) had the helm of the series for the
first seven part adventure called “Scrooge’s Quest” and it’s a humdinger. We
are arriving and the end of the second act, which all I will tell you here
because it’s best if we segue right into the book at this point…
We
fly in with our favorite adventuring ducks after they’ve rescued Uncle Scrooge
from being stranded on a tropical island. Seems Magica De Spell has stolen Scrooge’s
lucky first dime and all manner of bad things have befallen him lately. But
that doesn’t mean his trip didn’t net a profit, as we found he’s gotten a nice
takeaway present from that island retreat.
As
to how this relates to the troop coming to a one room paper clip factory
Scrooge owns that is literally in the middle of nowhere, that will become apparent
in a bit. First off, we have to talk about pacing. This book doesn’t rush anything.
It allows ample time for world-building, character development, and dialogue.
It is a pretty amazing thing. In most kid’s comics, there is a tendency to rush
to stick the landing, but it is almost like DuckTales knows that it is all in
the execution of the full routine that will win it the gold. Perhaps it is
Wolfman distilling as much of the essence out of those Banks tales as possible
that gives the book this unhurried feel. I’ll let the next two pages play out
here to show you what I mean.
First
off, Scrooge and the kids discuss his missing lucky dime while their Uncle unlocks
the door to the factory. It opens to an empty room that is nothing more than a
staircase leading down.
The
kids and Scrooge continue down a second even longer stairwell. One of them
remarks about how he wrote a paper on his Uncle and this place was never
brought up. Note we are at a full page of walking now.
And
then finally the bottom of our two pages connect to give us a nice looking splash
page graphic. Note that this has NOTHING to do with plot of this book. None of this
buildup and artifice. Scrooge’s factory could have been behind that first door
(and the secret it hides, too) but THIS is more satisfying. Seeing the kids
struggle down steps, learning that one of them wrote a paper for school on his
Uncle (which clearly would have been his choice of most interesting topic), and
the final reveal are all building mood, characters, and setting. Have to
commend both Wolfman and artists Quartieri/Uzal/Torriero/Valenti/bat for this. The book sets the
tone in the same way the series does.
All
of these panels serve to show that Scrooge’s fortune is tied up in mystery upon
mystery, like a series of doors that each uncovers something unknown.
Here
we find one of Scrooge’s hidden vaults minded by Gabby McDrake, Scrooge’s former
guide on treasure hunts. Gabby’s a bit of an anachronism.
As
the boys and Webby follow Scrooge through the facility, they find a fully
funded research laboratory, a room full of Scrooge’s treasure hunting memorabilia,
and…
…Scrooge’s
new gem vault. A vault which, because we are in the Disney universe, is so full
of gems that you can’t rightly open it more than a crack or else they will all
tumble out. No, I’m not explaining that one to a physicist, either.
After
tossing the new gem in and resetting the number showing how many are in there
(somewhere shy of 760 billion gems), the group learns some shocking news from
Gabby that has them rushing back to Duckburg.
Leaving
Webby and Mrs. Beakley behind, the all male troop take off for Duckburg and the
despair that this journey will certainly bring.
Sure
enough, they find a dark cloud had descended over Duckburg as soon as they
land. A dark and rainy cloud, at that.
And
along with Scrooge’s worsening cold, the troop find that Flintheart Glomgold
has forced everyone in town to turn their backs on Scrooge, both figuratively
and literally.
Glomgold
himself makes an appearance next, and we can see that he is far from the benevolent
town patriarch that Scrooge has been. Glomgold is downright Machiavellian, believing
ordinary people are so far below him that he actually steps on them to get what
he wants. (nice touch, guys)
And
he’s been using his money to amass power enough to bend the townsfolk to his
evil will, under threat of losing all they have. Scrooge’s health worsens as he
finds out the depths of Glomgold’s meddling.
But
even Scrooge’s failing health isn’t going to stop him from confronting his evil
nemesis. That’s always one of the hallmarks of the Uncle Scrooge tales: even
though he is a slave to his greedy vice, there is a core of decency in him that
values people just as much. I’ve always found it odd that a character named
after the lead in A Christmas Carol (and yes, I got the reference even when I
was just a kid) was the exact opposite in story terms when it comes to his personal
relationships. It’s like Uncle Scrooge was always post-Christmas Carol or maybe
I just missed the memo on that’s who he was supposed to be modeled after.
And
he’s also courageous, something I would ascribe to his Dickensian template.
Uncle Scrooge never backs down from a fight. And clearly that’s what’s about to
go on here.
But
when Scrooge’s illness takes a turn for the worst, Gyro and the boys spirit him
out of there and back to the plane.
…Glomgold’s
net tightens to the point that he finds Scrooge’s hidden vault of gems.
And
it appears that Uncle Scrooge has shaken off the fever without a moment to
waste, as Glomgold arrives with those dastardly Beagle Boys.
…or
maybe I just undersold how many Beagle Boys there are (I thought there were
only three).
Regardless,
there’s a bit of neat action as we head toward our wrap-up, which you know is
going to involve Glomgold cornering out heroes…
…which
literally buries the competition. And after which, Scrooge decides to take off
after his lucky first dime which is being held by the powerful witch Magica De
Spell.
Got
to say I loved this. Felt true to the cartoon and possibly even further back. I’ll
have to see if the Crapbox holds anymore of them. As for you? These have been
traded in two volumes. The first is all seven issues of Scrooge’s Quest, so you
can have the story complete for a song. The second is a bit of a mystery to me as
it wasn’t Wolfman, so might not be the same quality. However, I’m sure that you’ll
find a need to dig out those old DVDs or VHS tapes after reading a few pages.
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