Warren Ellis
gets down with this mature undercover cop story
When you
speak of genius storytellers in comics that everyone can agree on, very few
names pop up. Will Eisner’s name would come up first. Followed quickly by Alan Moore, Grant Morrison, and Neil Gaimen, maybe even Ed Brubaker. I would posit Stan Lee, but some might contend that. Like Lee, after that small list above there are
several names that might be included or not depending on who’s doing the
talking. Not to say these other writers don’t have massive amounts of talent, just
that they have detractors or have had an issue/series that just didn’t hit with
all audiences. Some examples? Geoff Johns would be one, where someone might
point out “Superboy punches” or some other such story element, throwing the
whole conversation down a different track.
A writer who is definitely in this latter group is Warren Ellis.
A writer who is definitely in this latter group is Warren Ellis.
Ellis’s
genius has led to such monumental books as Fell
and Transmetropolitan and
successful runs on Ultimate Fantastic
Four, The Authority, Planetary, Hellblazer and Excalibur.
He’s also responsible for books that are divisive, such as the love-it or
hate-it Nextwave: Agents of H.A.T.E.
It’s works such as the latter that give rise to critics who narrow their view
to just the series they dislike. While they are trying to prove how bad a
writer is using said series, they tend to ignore the massive amounts of great
literature that same writer has produced. And with Ellis there is a ton of
great stuff out there. Much of it floating to the top of my crapbox.
One of those
great pieces is the first issue of Down,
a four-issue miniseries Ellis did for Top Cow/Image. Issue one and all four
covers were drawn by Tony Harris, a great artist, former Eisner winner for his
Starman stuff and featured in the popular Ex Machina book. Harris passes
interior duty to Cully Hamner after issue one, Cully being the guy that made
most of you love Blue Beetle all over again. The mini spins the tale of
Detective Deanna Ransome, a big city cop who spends her time doing undercover
work busting drug dealers working for the Sakura mob. She’s two years in via
transfer from New York City
and tonight she’s going to make a huge career mistake.
The issue
begins with a ragtop purple Lincoln pimpmobile
pulling up to a brownstone in any-ghetto, USA. Out pops three bad dudes and
our Hispanic heroine wearing pigtails and looking street. If you’re smelling
bacon, don’t check the kitchen. These four are undercover cops, lead by Deanna.
Their task tonight is to make a drug buy and try to get some information on
who’s the next level higher up in the chain. Here’s our paranoid doorman of the
evening.
That would be
cool if you could carry around a personal catapult. Wait, where was I? Oh, yeah:
drug buy. So Deanna leaves her fellow officers to chill while she goes in the
backroom to complete the sale. Unfortunately to get to the backroom, you have
to pass by this bedroom. A bedroom that will cost a bunch of people their lives
tonight.
Oh, Lurch
junior. Something tells me that Deanna’s not going to take too kindly to this
type of activity. Maybe you should say something to defuse the situation.
On second
thought, maybe you should just keep your mouth shut. You don’t seem to know how
to read people real well. That’s going to ensure you don’t make it very far in
this business. Or any farther down this hallway for that matter.
Deanna kinda
blows her cover here.
It’s at this
point where she goes completely off the deep end and just gut-shots
Doorman-guy. She says resisting arrest and next thing you know, his intestines
are flying out his back in a burst of radiant blood splatters. Dee pops the first rapist in the throat, the second in
the back of the skull with the exit wound thorough the eye and the third…eww,
you don’t want to know. Wait. You do want to know? Ok, but first let’s find out
if Dee has a reason for blowing her deep cover
operation that took months to setup.
Well, as long
as she’s not being vindictive or anything.
WOAH! She
just shot that guy in the penis! I’m all for punishing rapists, but even I
think blowing a guy's wee-wee off is a bit harsh. Couldn’t you just kill him
instead? Oh, she does that next.
All this
gunplay brings out the rest of the crack dealers out in their “armed to the teeth”
mode. Baldy here leads the pack. The object of his fire is Dee’s
teammates in the first room. They return fire of course. Dee
meanwhile is still in the bed room off to the side. She makes a reappearance
just as big, bad chrome dome walks past.
She’s going
to wound him so she can question him later, I’m sure.
Or not. Good
thing hairless is a bit on the chubby side. It would be hard to use a skinny
guy as a human shield. But gordo is like his own little bulletproof fort. The
rest of the drug dealers help Dee test out his
defenses.
I wonder
where all those bullets go. *shrug* Oh well, it’s all good because Dee gets a
two-handed handle on the situation and shuts the crack house down with some
crack shots.
Ewww! Baldy
got more holes than a sheet of peg board. His girth saved Dee’s
bacon however. But there still seems to be less holes in him than I saw the bad
guys firing. Hmmm. Guess it’s just a mystery.
Mystery
solved! That’s where those bullets went. Into Dee’s
partners. She’s sure to receive a big promotion for solving the mystery of the
disappearing ammo rounds. I wonder why she looks so distraught?
For reasons
that completely escape me, Deanna is suspended from the force pending an
investigation. She’s stuck at home, leading me to assume that police work is
the only thing she does. So on a rainy week day, she can be found smoking
herself into early lung cancer in a one room apartment that really needs
cleaning. An unexpected phone call changes all that.
Lieutenant
Price has an offer for Deanna, but insists she meet in person with him to talk
about it. His offer means she gets to go back to work, but only as a deep cover
operative. I really like this panel of Dee
waiting for Price in the rain.
Seems Price
has an “Apocalypse Now” type problem. One of his officers by the name of Nick River
went undercover in the Mendoza
mob. Which surprised me, since I thought Nick Rivers was undercover in Germany
fighting the Nazis in that “Top Secret” movie.
Nick was suppose to work his way to the top and then do something very un-police like. He was sent in to kill the head guy in a way that sent a message to the other gangs to not mess with the police. Nick did all of that and more. He then took over the Mendoza mob and is now running things. Price wants River and needs someone who can work their way in close enough to pull him back out. Dee has all the credentials and hasn’t worked the Mendoza gang. Price has only one reservation: why did Deanna start the shoot out. Her answer is they were going to rape that woman.
Nick was suppose to work his way to the top and then do something very un-police like. He was sent in to kill the head guy in a way that sent a message to the other gangs to not mess with the police. Nick did all of that and more. He then took over the Mendoza mob and is now running things. Price wants River and needs someone who can work their way in close enough to pull him back out. Dee has all the credentials and hasn’t worked the Mendoza gang. Price has only one reservation: why did Deanna start the shoot out. Her answer is they were going to rape that woman.
It’s about
this time that Dee and Price come to an understanding.
And that’s were Down #1 ends. Really wish this had been one of those books where all four issues of the series were in the same comic bundle. Looks like I’m going to start scouring around for the complete set now.
I actually kind of like the artwork.
ReplyDeleteHarris did great work here. I saw one of the Hammer issues a few months back and passed it over after a flip-through for a different $1 title. It not that it wasn't good, it just didn't have this same vibe. This issue grabbed me right when I saw it.
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